Film festival gave thrills, nostalgia
Underneath it all, (filmmakers) just wanted to show their films to audiences … I had forgotten over two years just how important it is to filmmakers to be able to connect with audiences, and one another.
— Lloyd Komesar
MIDDLEBURY — Organizers of the seventh annual Middlebury New Filmmakers Festival, dubbed MNFF7, estimated around 600 people took in one or more of the 120 films screened at four venues in the county’s shire town Aug. 25-29. And viewers obligingly adhered to mandatory proof-of-vaccination and other safety protocols in exchange for a first-rate, in-person movie experience.
Festival Producer Lloyd Komesar and Artistic Director Jay Craven knew they could offer a great lineup of films, but were unsure how many eyes they would draw to the screens. After all, this was the first in-person MNFF since 2019; last year’s festival was offered virtually, due to the COVID-19 pandemic.
Turns out there was no need to worry. Film enthusiasts eagerly snapped up seats, with some movies drawing 80-plus spectators, according to Komesar and Craven.
“(The COVID safety protocols) made them feel more comfortable being there, and I think they liked the fact we got out in front of it,” Craven said during an interview on Tuesday. “It resulted in audience size that was greater than expected. I think the festival took hold. There was a lovely energy and enthusiasm and engagement that we associate with previous festivals. The fact the festival was done this year under these conditions, I think, made it especially memorable and effective.”
Special guests also helped make this year’s festival memorable. They included “Indiana Jones and the Raiders of the Lost Ark” co-star Karen Allen, who attended a 40th-anniversary screening of that 1981 blockbuster; acclaimed director, editor and producer Sam Pollard; and casting director Heidi Leavitt.
One of the most popular films in MNFF had a strong local angle. “The Price of Safety” — which explores national conversations of over-policing and racial bias as they unfolded in the city of Vergennes — drew such a big audience that some folks had to be turned away, according to Komesar.
The Karen Allen appearance at “Raiders” also packed them in.
Craven and Komesar were pleased with the overall quality of films in MNFF7. Many of them celebrated a common theme of “connectedness,” such as the ability of small community newspapers to bring people together (as seen in “Storm Lake”), and in “Just Being Here,” about an older man in Ripton making profound connections with the natural world as he withdraws from the human world.
This year’s festival also showed people are willing to attend a movie at 9 a.m.
“It gave us a chance to expand the touch-points of our festival by going early,” Komesar said of the early screenings. “It’s a town that’s early rising enough that people said, ‘You know what? Let’s go check it out.’”
And the filmmakers were grateful to see people filling theater seats; they can’t get the same thrill from the thought of people watching their creations online.
“For filmmakers to come all this way and go to a screening where there are maybe more than 100 people (watching their film), it’s a big deal,” Komesar said. “Underneath it all, they just wanted to show their films to audiences, and be able to have that kind of networking, communication and feedback. I had forgotten over two years just how important it is to filmmakers to be able to connect with audiences, and one another.”
Attendees apparently found all the local services they needed during MNFF7. There’d been some worry about that prior to the start of the festival. As recently reported by the Addison Independent, several area restaurants have in recent months had to cut their hours — or transition to takeout only — due to an employee shortage.
“We made every effort to feed the people,” Komesar said. “We had catered events virtually every day, except Sunday, with the idea we ought to offer to our attendees some way to get food if there were stresses on the local food ecosystem here — and there were.”
Craven believes the food service industry will come back in the same way the in-theater experience is.
“There’s no question that part of the impetus for the festival is to connect with the surrounding business community — especially restaurants in Middlebury,” Craven said. “We were thrilled to have the options we did so that everyone could get a good dinner. But it would be great to see even more restaurants flourishing next year.”
Komesar was pleased to report the pandemic didn’t put a crimp on volunteerism at MNFF this year. He credited festival Coordinator Jordan Mitchell with skillfully recruiting local families to lodge visiting filmmakers, as well as ushers to help out at the screening venues.
“We were perfectly staffed,” Komesar said. “In a way, having audiences that weren’t the size of 2019 afforded our volunteers a way to manage the crowds better. I’d like to see us get back to those attendance levels — perhaps in 2022 — but this year proved to be a good match between our volunteers and the size of the audiences we had.”
At this point, there are no plans to offer any MNFF7 films virtually.
“We may do it, but if we did, it would be a quite limited selection of films that would go up,” Komesar said.
“Online, for us, is secondary,” he said. “The popularity of the online screenings just doesn’t compare to the live event.”
MNFF7, according to Komesar, has created a template to build MNFF8, which will be Aug. 24-28, 2022. So MNFF8 will last five days, feature four screening blocks, maintain an outdoor venue, and include 9 a.m. screening times.
“The outlook is good for a robust MNFF8,” Komesar said.
While this year’s MNFF is in the books, the festival will roll out more entertainment beginning this fall, lasting into next spring, in partnership with Middlebury’s Town Hall Theater. It’s called “MNFF Selects,” and will feature the films “Duma” at 2 p.m. on Nov. 21; “Shepherd, the Story of a Jewish Dog” at 7 p.m. on Dec. 30; “Buck” at 2 p.m. on Feb. 20; “Grizzly Man” at 7 p.m. on April 21; and “The Rider” at 7 p.m. on May 12.
Spectators ages 12 and older must be vaccinated; children younger than 12 must wear a mask. Check middfilmfest.org for ticket prices and the potential for additional films to be added to the Selects series. You can also subscribe to the MNFF newsletter.
Reporter John Flowers is at firstname.lastname@example.org.
Congratulations to MNFF7 VTeddy Award/prize winners
• Best Documentary Short Award: “Tanagokoro: A Culinary Portrait.” Directors: Victoria Fistes, Masashi Nozaki.
• Best Documentary Feature Award. “Alaskan Nets.” Director: Jeff Harasimowicz.
• Best Narrative Short Award: “The Other Side.” Director: Josh Leong.
• Best Narrative Feature Award. “Poser.” Directors: Ori Segev and Noah Dixon.
• Audience Award – Short. “The Cho Stories.” Director: Anna Sang Park.
• Audience Award – Feature: “Cirque du Cambodia.” Director: Joel Gershon.
• Hernandez/Bayliss Prize. “Forget Me Not.” Director: Olivier Bernier.
• Clio Visualizing History Prize for the Advancement of Women in Film. “End of the Line: The Women of Standing Rock.” Director: Shannon Kring.
• Gaia Prize for Environmental Filmmaking. “The Ants and the Grasshopper.” Directors: Raj Patel, Zak Piper.
• Shouldice Family Prize for Best Vermont-Made Film. “Just Being Here.” Director: Matteo Moretti.
• VSO Award for the Best Integration of Music into Film: “Mate.” Director: Rusty Eveland.
• AICEF Prize for Cross-Cultural Filmmaking: “Nomad Meets the City.” Director: Anji Clubb.
• Thaddeus Stevens Prize for Social Engagement: “How the Monuments Came Down.” Directors: Lance Warren and Hannah Ayers.
• Ralph Steiner Prize for Poetic Cinema: “Me To Play.” Director: Jim Bernfield.
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